Wednesday, June 26, 2013

Buying Ourselves a Conscience


Consumer power has its place:  no consumer, no product.  In light of the Rana Plaza building collapse in Bangladesh, we must remember to look at the role we play in the dirty garment game.


So I stood one day in K-Mart, holding 3 pairs of undies in my hand. After months of constant travelling and sleeping in diverse places, I opened my suitcase to find a distinct lack of underwear. I frowned at the price sign, 3 pairs of cotton underwear for $2. Yes, $2. They were see through, white and cheap. So cheap I became paralysed by a consumer anxiety in the middle of the store, facing a dilemma many consumers face : should I buy this?

A flood of images of the Rona Plaza building collapse in Savar, Bangladesh, two days earlier began their torrential flow. Eight stories of shoddily built concrete structure fell on thousands of workers who had been forced into the building with violence and threats. 1127 people died in what is now considered one of the worst industrial accidents of recent times, quite potentially while making undies like these, limp and pathetic in my first world hands.

The collapse of the factory signified the collapse of our human values, both personal and corporate. "Who is responsible for this?" the world cried.

Is it Sohel Rana, owner of the dodgy building? Is it the boss of the factory, who forced workers into the building and locked them in? Is it the companies, such as Phantom Apparels, whose products were being made at the time of the collapse? Is it those who built the building on swamp ground, those who granted building permission? All multi-million dollar Western companies who profit and refuse to define their supply chain? The fashion industry? Governments, both local and international, who allow the industry to flourish despite and because of corruption and obvious infringements to human rights? Or is it us, the ones who buy cheap products and adorn our beautiful bodies with them?

The collective search for answers began. Sohel fled and was caught, as were some of the factory owners who allegedly chose to open the factory that day. Clothing companies signed documents making them legally responsible for the safety of the factories in which their clothes are made.  Corporations who refused to be transparent about their supply chains were condemned and those who continue to exploit impoverished workers exposed.

Demands were made to set global supply chain standards and basic set of workers rights, such as minimum wage and unions, and solutions made by Nobel Peace Prize winners. The spotlight was shone on every level of the garment industry to expose the dark beginnings of our clothes and the systematic and remorseless exploitation of the world's poorest people to make them.

However have we looked adequately enough at our own consumer behaviour?

What do you choose to do? New synthetic blanket or second hand version from Vinnies?

Shula Hampson, Melbourne textile artist and fan of the atelier, says "if you refuse to buy it, they won't make it. It's that simple, really. Demand safety standards in fashion."

Similarly, Carlie Ballard of online ethical clothing outlet Indigo Bazaar, says, "Consumers have the power to make change. It depends whether their need for a quick and cheap fashion fix overpowers their conscience.
I can't help but see our era of fashion as the sweatshop era. Not the power suits and fluro of the 80's or the mini skirts and flower power of the 60's or the amazing flapper style of the 30's. Our era is a dirty fashion era. And sadly when our children go vintage shopping I'm not confidant they are going to find much that defines our time, except a rag bag."

Lara McPherson, facilitator of Sustainable Fashion Australia, writer and researcher, is relieved that the spotlight is finally shining on the fashion industry. "I do wonder if consumers here in Australia comprehend the direct link between these conditions and their own behaviours. Sadly, there will always be a new Bangladesh to be exploited, so long as our desire for cheap clothes exists."

"There are so many wonderful [eco] businesses - in Australia and internationally - and fashion and textiles are a great tool for International Development. Many developing countries have been built off the back of clothing, but the industry seems to be doing more harm than good. It feels really quite perverse for the obscenely wealthy developed world to be squeezing factories in the developing world for cheaper labour and products. To me, that epitomises global inequality and is tantamount to modern day slavery."

Modern day slavery it is. People, mostly women, work in abysmal conditions illegal in Australia. They face harassment, abuse, unsafe working conditions, the constant threat of job loss and wage severance daily, if they do not comply with the industry needs. They work up to 20 hours a day, without breaks, with little light and no compensation for sickness. That means, if you or your children are sick, you loose money.

Some work is better than none, sure. Factory work protects people from the very worst consequences of dire poverty, such as prostitution, human trafficking, infanticide and death, and offers some hope of a better life for families.

Working to improve your life is grand. But not when that work infringes your basic human rights.

Many organisations are already working towards this change. A quick web search will give you many great online eco companies providing opportunities for their workers in safe environments.

We need larger solutions, no doubt. Laws, minimum wages, basic code of worker rights, healthy and safe working conditions and spaces free from violence, intimidation, abuse and harassment. Workers need to have the freedom to voice their concerns without fear of redundancy or wage loss. We need all this. You know. The basics.

Sign petitions. Advocate change. Demand answers from corporations and governments. Do it all. But don't forget your own participation in this play. Your role, the consumer. The one who buys the garments and fills wardrobes with a variety of constantly changing colours and styles.  Buy less. Buy eco. Recycle. Reuse. Repair. Everyone can do that, regardless of economic status. We have a moral responsibility to try. I feel it. My friends feel it. Are we really going to stand by and let people in poverty experience exploitation, forgo happiness and face potential death daily, just so we can have stripey shoes?


I sighed and put the undies back down on the shelf. I think I can just go home and hand wash, go freestyle for a day. Sure, my decision not to purchase the $2 undies is unlikely to have an impact on the people who made them. But I'm going to try anyway.

Victims of Rana Plaza building collapse, Savar, Bangladesh.



http://www.cleanclothes.org/






photo credit: Asitimes via photopin cc

Pyjamas, pyjamas.. who wants pyjamas?

So it's winter and you want a pair of pyjamas. You don't want to contribute to the perpetuation of slave labour und inhumane garment working conditions, nor do you wish to pollute and destruction our environment, but you want to be warm and cosy? Lucky for you, there is a solution.

Here's a list of some online eco clothing shops which sell affordable, sustainable, ethical, responsible, cosy and warm products. Sometimes it's hard to find eco products which don't break our Western budgets but I've managed to collect a few. Please add to the list and enjoy the shopping.


http://ibutrade.com.au/shop  Fashion, books, kids, gifts, home wares, deco. Well priced, fair trade, ecological practices and describe stories behind the product

http://www.indigobazaar.com.au  Free shipping, Designer ethical and sustainable clothing and accessories, environmentally friendly, transparent supply chain.

http://fivebamboo.com/store  Bamboo clothing at a great price. Fab company philosophy, worth a read.

https://www.oxfam.org.au/shop  It's Oxfam man. Enough said.

http://www.etiko.com.au/ Shoes, t-shirt, soccer balls, undies, this place has it all. Vegan, organic, fairtrade materials, support children sports programs across the globe, $90 for hightops, awesome. Cheaper than Converse and look better too. Imagine all the teens in these.

http://alasthelabel.com  Soft, cute and friendly pyjamas. Transparent, fair trade, adherance to the Global Organic Textile Standard. Soft. I emphasise soft.

http://alittleboutiquenearhome.com/op-shops  Great directory of Melbourne Op Shops with reviews.



Turkana, Kenya.

Tuesday, June 25, 2013

Get Your Eco Groove On


Ready to make the plunge into the ethical consumer world? Not sure where to begin? Check out this list to help get you started:


1- Etiko

Cooler than Converse and a thousand time better for the world, Etiko produce a range of footwear, clothing and sports balls bound to make you feel good. Like James Brown. Only with less lycra.

Etiko is ethical, eco and sustainable. They are the original, real deal. Since 2005 they were the first ecological footwear company established in the Australia-Pacific region. Their shoes are made from organic, fairtrade and vegan materials, they donate soccer balls to kids in need around the globe, they help fund sports programs in Walpiri communities in Central Australia and they are way cheaper than Converse. With these babies on your feet, you will feel like a (happy eco) sex machine.



2- Toms

Toms also provide a large range of vegan footwear and sustainable accessories for all ages. They also donate a pair of shoes or glasses to children in need for every pair bought. Social consciousness break down!

Toms shoes are made from organic, recycled and natural fibers. They are transparent about where their shoes are made (China, Ethiopia and Argentina) and how they strive to adhere to corporate responsibility standards, ensuring their policies actively work to prevent slavery and human trafficking. They support local production and donate to a range of health and environmental programs. That, along with the One for One program (donating shoes or eyewear to someone in need with every purchase made), a worker benefits fund, including training, paid leave, retirement, health classes and medical benefits, AND a range of funky and sassy foot wear and accessories, how can you go wrong?



3- Who gives a crap?!

Have your toilet paper environmentally friendly, socially conscious and delivered to your house. Yes that’s right, delivered to your house. Available in various sized packages, you can order a whole box to be sure that you never run out on Sunday mornings post breakfast ever again.

Costs are down and at $20 for 24 rolls (or $250 for 480 rolls), free postage and handling, it wins over Coles Recycled Brand hands down. Free from chemicals, inks and dyes, it's biodegradable and 100% recycled. 50% of profits are also donated to Water Aid for toilets and improved sanitation in the developing world, this is one way to kill two birds in one swipe.




Inform yourself of the issues and join an advocacy group, to provide support, raise awareness and pressure key stakeholders. Clean Clothes Campaign from Amsterdam provide a range of answers to simple questions asked by many a Target consumer (such as gems like “Yeah but why do they need more money? It’s cheaper over there, they don’t need the same wages as us”). Inform yourself and teach the people around you.



5- Invest your super

Kakadu National Park, Uranium Mining

Invest in an ethical future. Literally. Australian Ethical is a superannuation fund that invests your super in environmentally and socially sustainable projects. Your money will not be secretly used to fund coal seam gas, coal and uranium mining, forest logging or other ‘negative investments’. Super is a great way to invest in companies trying to make a change. How many people actually know how their super is being used? This is a good one in my book.


6- Read! 
Sublime, bimonthly sustainable lifestyle magazine.
Sustainable living is not just for the residual hippy communes of the 70s. Check out a range of magazines to see what’s going down in the sustainable hood.

                  



7- Take an Op Shop Tour

For $40 you can take a group tour with op shop fashionista experts Jen and Jess to a select choice of shops, vintage and second-hand stores. The tour takes you by train to a diverse range of suburbs in and around Melbourne where, you'll be sure to find yourself a cheap, sustainable and sassy piece.  Review Here.

 http://www.melbourneopshoptours.com.au/


Go on. Be a fashion romantic.


 8- Make it yourself. Learn to sew.

The ultimate hipster style: self-made. There are many workshops, courses and books guaranteed to turn you into a sewing, designing and stitching aficionado in no time! Teach yourself. Go to a sewing lounge in Collingwood. Take a course at CAE. Or a more personalised class in Northcote. Don’t forget to visit your local Country Women’s Association: These chicks have experience and wisdom and cake.




9- Check your brands before you buy

Shop Ethical provide a guide to a huge list of brands of almost everything and rate their degree of environmental and social impact. Many popular labels do their bit for the environment and the people who make their products, it's handy to know who is using their powers for good!








10- Bamboozle yourself!

Five Bamboo sell a range of soft beautiful bamboo clothing at a great affordable price. They also have some of the best company philosophies I have read: try, take action, evolve, be mindful, be honest, be fearless and be grateful. They are from Seattle which does contribute to the transportation impact of the product. But they are cheap, environmentally friendly and proof that sustainable fashion can be affordable.

You too could own some of
these babies. 






Sunday, June 2, 2013

One day

One day I woke up and I was             
alive
I was in love with                            everything
I was in my body
I could                                               feel
my hips
and the curve of my breasts
and the air.
I was                                                    in lust
with everything.
I wanted to make love                        to everything.
the trees, the men,
the women                                     the dirt,

I wanted the Earth, in my arms, curving my body around eat kiss strut with long legs across long lands, traverse the seas,

that day I was in love.














Thursday, May 2, 2013

Do Your Thang For Community Radio



As you roll out of bed and scuff your way down the hall and into the kitchen, you reach for the radio. Scratching your head during the coffee preparation ritual, warm rich sounds of folk music soften the morning trauma and ease the way into the day.

In the morning fluffiness, you could choose a variety of programs: Spanish news, theology, community organic gardening, Indigenous politics, reading programs for the blind, or perhaps my most ideal way of starting the day: 80s thrash speed metal.

Such is the beauty of community radio. Community radio is the voice of the people. It supports and gives expression to diverse sectors of society: music lovers, aesthetes, disability services, non-English speakers, youth, gay or lesbian, religious, even the oppressed. It gives us the freedom to be ourselves, connect to each other and celebrate our journeys.

Importance of Community Radio

Community Radio is a vital part of Australian media. It supports the multitudes of needs and interests in the community, providing a space separate from regulated, mass produced and corporately dictated system of commercial radio. It allows people of the community to communicate safely and openly about themselves and is thus the true embodiment of democracy and freedom of speech.

Digital Radio: The Facts

Digital radio began in Australia’s major metropolitan cities, with 11.6% of all radio listeners already using digital radio. New cars are sold with it, funky retro versions of it are sold in shops, offering better quality sound and reception, the ability to pause, fast forward or rewind shows, on-screen information and access to an increased number of shows. Digital radio is the future. 

Previously the federal government supported community digital radio by providing $11.2 million over three years (2009-2012) for development, running and maintenance costs. However community digital radio’s future is now at risk. In May 2012, the federal government announced only $2.2 million dollars for a four year period (2012-2016), $1.4 million per year less than is needed to maintain current community digital radio broadcast services. This is for over 350 community radio stations nationwide. What does that mean? No money, no broadcast. That’s right. No more discussions about Turkish cuisine in Turkish, no more Latino dance hours and no more movie review shows.

In two weeks the federal budget will be released and community stations and listeners wait in anticipation. Will there be enough money to keep running over the next four years? Heading the Commit to Community Radio Campaign is Adrian Basso, General Manager of PBSFM in Melbourne and head of the Community Broadcasting Association of Australia. Adrian has been integral in the drive to get the public on board and show their support and love of community radio.

“Community radio is doing things that other media doesn't do. Disability radio, non-English speaking, gay and lesbian, we fill a lot of those cracks that a lot of other media won’t touch.”

Adrian is gentle is his opinion of the May 2012 budget. “The government has been supportive to date so when the results came through [in May last year] it seemed a bit odd. We've been working with the minister’s office to get it fixed. I’m hoping they will commit. We’ll find out on budget night. I’m not talking a lot of money here. $1.4 million isn't much.”

Tahlia Azaria, General Manager of SYN 90.7 FM, a youth oriented station catering for people aged 12 to 24 years of age, says the station is at real risk of closure should the government’s full funding not come through.

“It’s a huge blow to us” says Tahlia “ We've invested time and money into maintaining our future survival. That money enables us to expand what we do. It’s an integral part of the station. It will help us to bring in more young people from the regional areas into community media and help us continue what we do.”

Adrian Basso continues, “When it comes to media in particular community broadcasting, we’re seen as pioneers and leaders. When you look at other countries and how they struggle for basic democracy and freedom of expression, we have those things in Australia. Australian music... is well supported by community radio. We’re part of that progress from grass roots to super star. If you cut the grass roots out, then you’re going to have a pretty poor live music scene. International artists come in and go, “Wow!” America’s got college campus radio, their version of public radio and a really long tradition of philanthropic [support]. But nothing like this.
Certainly at the initial stages of a new platform for broadcast, there’s a need for support. For us to carry that burden so early on is really short sighted I believe.”

Presenters at work, SYN Radio. Image courtesy of SYN.

Independent Music

Independent musicians rely intensely on community radio for accessing audiences and distributing music. The reputation of Melbourne’s music scene is most definitely in part built on the support of local and national artists by community radio.

Leigh Ivin, guitarist for alt country rock outfit The Re-Mains, explains,” As a musician, releasing new music and working outside major labels, these stations often provide the only outlet for a new set of ears. It’s more or less impossible to access mainstream or commercial outlets for independent artists. You only have to look at 3RRR and PBS's support of our band to see the difference in our fan base in Melbourne compared to the rest of the country." 

Den Hanrahan, hilly billy country rock poet agrees. "For those of us whose art does not centre around whatever Sony, The Voice, TV or commercial radio thinks is good music, only have support from community radio. It is an essential part of getting the message out there for independent artists. Without it, we are left draped in the disgraceful conformity that is popular music. Long live community radio."

Sarah Carroll, Ukulele Queen of the Bellarine,3RRR presenter and songstress from The Junes, explains, "If not for community radio, there would be no outlet of coverage of 98% of the groovy shit happening in the world. No honest news, no actual current affairs, no voice for minorities who are the true majority."

Sweet Felicia, bassist and singer from Sweet Felicia and The Honeytones, similarly agrees that community radio is essential for those whose voices do not reach commercial radio.

"Community radio gives a voice to those who would otherwise be voiceless," she says. "The crap that gets played on mainstream radio is led by those who wish to keep us hearing what they want us to hear. Community radio allows us to hear what WE want to hear. The interesting, vibrant Australian musicians and people who would never have a chance to be on mainstream radio."

ACT NOW - DO YOUR THANG!

So if you love community radio and if you dance in your socks in the bathroom to rockabilly or nod intently to discussions of gay marriage rights or the immunisation debate, sign the petition now: http://committocommunityradio.org.au/act-now/. Write to local MPs. Share via social media. Email your friends. Heck, email Minister for Communication Stephen Conroy and tell him directly. Wear a t-shirt. Protest naked in front of parliament house and shout your wants. Do what you can and do what needs to be done to ensure the future of community digital radio. I'm doing my thang for community radio. Are you?




Ten Minutes with Jen

Jen O'Keefe, presenter of Homebrew on PBS 106.5 FM, civil celebrant, radio trainer and craft extraordinaire, talks about her love of community radio.


1) What is the value of community radio for you Jen?

The value of community radio is in the connections that people can make. You can connect with your community, whether that be face to face through involvement at the station, by quietly listening at home or by interacting as a listener.

2) Why did you go into radio?

I got into community radio because I needed to connect with my community! I didn't know what it meant to be a lady-lovin' lady, really. I knew I had just come out but I wanted to find my place in the world, because although I was the same I felt that the realisation changed where I fit in. I needed to understand myself a little better and doing some volunteering and training at a community radio station for the GLBTI (Gay, Lesbian, Bi-Trans and Intersex) community absolutely made that happen for me. I made friends both my own age and all other ages who were in the same minority group and it meant a lot while I was finding my feet and my own unique voice.

3) What is the benefit of community radio over commercial radio for you?

For me commercial radio has its place, and there are times when I'm happy to be spoon fed the most popular stuff. There's nothing wrong with that - but the commercial giants just don't have that heartbeat and soul that the community radio sector has. Community radio makes a difference in people's lives of a meaningful nature. Commercial radio is background noise when you don't want to think.

4) You got any Top 3 all time radio songs?

Argh! It's SO hard for me to pick favourites, it literally causes me physical pain as I rack my brain. Heh! There are songs I come back to again and again and again though:

- Ainslie Wills, Quite Capable from her EP Somebody for Everyone               http://ainsliewills.bandcamp.com/track/quite-capable

- Jen Cloher and the Endless Sea, Hidden Hands from the album of the same name 




- Jess Ribeiro and the Bone Collectors, It'll Come To Pass from the album My Little River 




They're all quite hopeful and empowering songs about trusting your intuition, trusting people to come through for you and that things will work out ok. I figure on any given day someone could need a boost (sometimes I do!) so if I play those tracks it might help someone out and make their day a little better. 

5) Homebrew for me is an awesome overview of new Australian music which I really appreciate. Was there a specific reason for choosing the style of Homebrew? Did you help 'discover' anyone yet? 

Thanks matey, that's really nice. Homebrew was on air before I came to present it, but I did start out in a similar show on another station. It's always been my favourite thing to explore - the local music scene. Also it's really helpful that then I don't have to pick any specific genre, because that scene includes such diversity. I'm really bad at making decisions but I love covering a lot of different areas so it's perfect. 

As for discovering anyone, gosh I don't know! I saw Sal Kimber years ago and got her on air a few times before she became a bit more famous but I reckon she did that all on her own by being so fab and talented. 

6) What is one of your fav radio programs? 

I often listen to The Grapevine on Triple R on the drive up to town to do Homebrew on a Monday. I love the music and interviews they have on their show. I also love Its A Gas on PBS, lots of 50s Rockabilly gems on that show. It's a genre I don't have a lot of in my collection, and the music always makes me happy to hear.


Tuesday, April 30, 2013

Horoscope in the Inbox



"Find yourself, face the truth and you can find romance."